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Free Download , by Angela Ackerman Becca Puglisi

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Free Download , by Angela Ackerman Becca Puglisi

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, by Angela Ackerman Becca Puglisi

, by Angela Ackerman Becca Puglisi


, by Angela Ackerman Becca Puglisi


Free Download , by Angela Ackerman Becca Puglisi

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, by Angela Ackerman Becca Puglisi

Product details

File Size: 3495 KB

Print Length: 272 pages

Simultaneous Device Usage: Unlimited

Publisher: JADD Publishing (October 13, 2013)

Publication Date: October 13, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00FVZDZ6K

Text-to-Speech:

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Word Wise: Not Enabled

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Amazon Best Sellers Rank:

#27,742 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Both the Negative Trait and Positive Trait Thesauri are amazing. Probably one of the most useful writing resources I've ever purchased. I bought the Negative Trait one ages ago and then avoided it because it seemed like a lot of work to consider your characters this way. Then I bought the PT one and started working. It is a bit of hard work. But completely worth it. Once you know who your characters are, you can create scenes that are directed by their instincts and behavior and not just write a bunch of random stuff happening to them. How can you challenge a character that you don't understand?These books saved my current WIP, which ground to a halt recently when I ran out of horrible random things to do to my characters. Now that I've read and used these books, I can let my characters screw things up on their own and if I need to come up with external torture for them, I now understand what will thoroughly wreck their day :)I am so impressed with these books. I highly recommend them if you're a writer and you're willing to do the work to make your characters three-dimensional and engaging.

The Negative Trait Thesaurus talks about using traits to deepen your characterization to help your reader become emotionally invested in them. They use a similar format as the Emotion Thesaurus by defining the characteristic, listing similar attributes, possible causes and associated behaviors. I haven’t used these as thoroughly as I should, mostly because when I bought them I was in the middle of writing something I’d already developed characters for, but I’m in the beginning of a new project and I intend to make full use of it.

I'm writing the same review for the book 'positive trait thesaurus' and 'negative trait thesaurus' as they are equal in quality and usefulness:I don't believe there is any reason to write anything more until you have purchased these books!Unless you have a masters in psychology maybe you won't need them. Even so, I believe it would be a good quick reference.These books hand writers the tools they need to understand the complex nature of their characters psychology.These books will give you a clear cause and effect to every personality trait your character has, giving you a more indepth understanding of your own character, which will in turn give your reader a more in depth understanding of your character and be more involved in your story.Unless you enjoy torturing yourself and making life harder on yourself:A must have.

If you want your readers to interact with the characters in yourstories, or writings,they must feel like real people, good or bad.Because, a reader wants to cheer for,or boo at the people, youwant them to spend their time with.If a reader can not relate to your protagonist, or even your antagonistfor that matter, they will wonder, why are they even bothering finishingyour story.Harsh?Yes it is, but it is your job, to make characters as real as possible, byshowing, not listing, what makes them what and who they are.Good guys and bad guys, all have traits that make them take the road thatthey travel.Show those traits to your readers.

Want to create true to life, fleshed-out characters? Start here. These two authors deliver. They show you how characters are the story and how to develop them for maximum effect in your own book.The first part of the book states that everyone is damaged, and the more emotionally traumatic the better. They tell you why negative traits, wounds and flaws are essential for character arcs, how to build them, and how they can be fit to make the journey harder and more meaningful. They also cover that people who are wounded form lies they believe (Ex. I'll never be a good mother.), which stems from one of the five basic needs. (Sorry, too long to list.)The second part lists flaws alphabetically. They cover definition, similar flaws, possible causes, associated behaviors and attitudes, associated thoughts, associated emotions, positive aspects, negative aspects, examples from film, overcoming this trait as a major flaw, and traits in supporting characters that may cause conflict. I read through each flaw and was surprised when my characters became fleshed out in my head. I knew what they were thinking and what caused it.We can all think of various flaws we want our characters to have (selfish, stubborn, reckless, etc.), but it is invaluable to have ALL the flaws listed out, so you can find the one your brain forgot, under that pile bills and junk mail, that adds the critical pulse to your character and brings your story to life.You might even find yourself identifying with flaws and eagerly turning to 'Overcoming this trait as a major Flaw'. It's like a mini therapy session. Acknowledge and correct.All in all, this book is worthy of a spot on your shelf, if just for having a complete list of flaws at your fingertips. I also highly recommend their other two books: The Emotion Thesaurus and The Positive Trait Thesaurus.

When writing action scenes or dialogue of a character affected with negative behaviors, attitudes, thoughts and emotions, "The Negative Traits Thesaurus" is a welcome resource. Angela Ackerman's experience as a counselor in psychotherapy really comes through. She gives a wide range of personality examples that will fit with most circumstances. Even if it's just a simple word or two to an otherwise well written piece, the flaws she describes adds depth and vision to a troubled character. The salt, the spice on the meat. If a writer is looking for insight to building intensity and amplitude in the telling of a story give a look at this well written and simple resource. It's a staple by my side as I write.

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